tag:blogger.com,1999:blog-27501132.post323190469115436822..comments2024-03-29T05:13:13.015-04:00Comments on Mayerson on Animation: More on South KoreaMark Mayersonhttp://www.blogger.com/profile/00065971589878678848noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-27501132.post-1344005857752305722007-12-06T09:42:00.000-05:002007-12-06T09:42:00.000-05:00Hi, I was going to work for KOCCA as their English...Hi, <BR/>I was going to work for KOCCA as their English language communicator in early 2006. <BR/><BR/>They decided it wasn't worth having an English speaker on board, which is their choice but from everything I've seen of KOCCA, they certainly need someone/something to sell Korean content abroad instead of winging it through bad ESL skills. KOCCA don't do a good job of promotion- yes SICAF is okay but it comes down to freelance writers interested in the subject to promote Korean animations. <BR/><BR/>Judging by Midodok's familiar avatar there, I'd say he did his mandatory military sevice with the police.<BR/><BR/>AlexAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-27501132.post-82834519563770505992007-11-12T17:43:00.000-05:002007-11-12T17:43:00.000-05:00Thanks for posting that article! KOCCA is a very ...Thanks for posting that article! KOCCA is a very active organization in the Korean animation industry. They even support the production of projects that do not necessarily have a guaranteed way to generate income, such as funding a pilot. Some complain that this support leads to projects about traditional Korean themes that, although beautiful and culturally specific, will never really resonate with an audience and have a long life. <BR/><BR/>In any case, KOCCA affords some vibrancy in the animation industry even if it may just seem political at times.Midodokhttps://www.blogger.com/profile/01578117549552021620noreply@blogger.com