Showing posts with label Buster Keaton. Show all posts
Showing posts with label Buster Keaton. Show all posts

Monday, October 04, 2010

Happy Birthday Buster

Today is Buster Keaton's birthday. That's him in old age next to a photo of himself as a child performer in vaudeville.

I recently read The Fall of Buster Keaton by Joseph Neibauer, about Keaton's career after he lost his creative independence in 1928. The book is a reasonable survey of his work at Educational, Columbia, MGM and in television, but it needed a stronger editorial hand. Quotes and phrases are repeated and the book often degenerates into summaries of the films.

I'm am looking forward to reading Buster Keaton: The Persistence of Comedy by Imogen Sara Smith. The book got a very good review at Greenbriar Picture Shows.

It's amazing that 115 years after his birth and more than 80 years after his best work, Keaton continues to fascinate.

Sunday, December 14, 2008

Two Old Pros

Here's a lovely shot of Al Eugster taken by Harvey Deneroff in 1980 at Kim and Gifford Productions in New York. Al was 71, though he could pass for his fifties as his hair was still brown and he was trim. I knew Al at this time, working with him on a forgotten Saturday morning series called Drawing Power in the summer of 1980. Harvey was interviewing Al, who was a favourite interview subject for many young historians curious to know about the golden age at Fleischer, Iwerks and Disney.
Here is Buster Keaton in 1965 on the set of Film, a movie written by playwright Samuel Beckett and directed by Alan Schneider. Keaton would have been 70 at the time. Alex Robinson's friend's grandfather shot this and other stills (visible here) at the base of the Brooklyn Bridge. The other shots are nice, but this is the keeper.

Neither of these men were doing their best work at the time of these photos, but they were still bringing their talents to whatever projects they could find. Keaton spent time as comedy relief in beach party movies and acting in industrial films; Al was stuck drawing limited animation for TV, doing his own clean-ups and inbetweens. Both preferred to keep busy and stay in the game. Both were professionals through and through, trying to make the best entertainment out of whatever they were handed.

(Keaton link via Mark Evanier.)

Saturday, October 04, 2008

Happy Birthday Buster

October 4 is Buster Keaton's 113th birthday. I admire many film makers and artists, though for some reason, Buster's birthday sticks in my head and the others don't. I think that John Ford was born in August and I have no idea what month Chaplin was born. Walt Disney, Walt Kelly, Howard Hawks, etc. -- I couldn't tell you what day they were born if my life depended on it.

Rather than try to figure out why, I'll just guess that something about Buster is important to me in ways that the others are not.

If you've noticed a slow-down in posts here, you're not imagining it. My teaching schedule is heavier now than it's been in the past. I'm also animating on a personal film, which is taking up time. This blog is feeling the effects. Besides, things seem pretty quiet on the animation front. The elections and the economic news are sucking up a lot of oxygen and there haven't been any major animation releases or controversies to stimulate discussion. Perhaps that will change as we get closer to Christmas and the holiday films are released. Time will tell.

Wednesday, October 04, 2006

Happy Birthday Buster

October 4 is Buster Keaton's 111th birthday. He was one of the great comic geniuses of the 20th century and a brilliant filmmaker to boot. From 1917-1928, he appeared in shorts and features that still provoke laughter and amazement.

This photo is from 1952 and features Buster with his wife Eleanor. I chose it because I'm fascinated with Buster's life after 1928. The creative freedom that allowed him to thrive was taken away, leading to major professional and personal setbacks. Tom Dardis wrote a biography called Keaton, The Man Who Wouldn't Lie Down, and that phrase is a testimonial to Keaton's perseverence. No matter how insignificant the job, he took it and did his best at it. He never regained the creative peak of his early years, but he rebuilt his life and career and lived long enough for his best work to be rediscovered.