John Canemaker has generously shared a lengthy video interview with the late Tissa David. It is part autobiography, part nuts and bolts instruction and part philosophy, illustrated by clips of Tissa's work for John and Faith Hubley, Michael Sporn, R.O. Blechman and others.
I knew Tissa when I was beginning my career and it's remarkable how little she changed physically in 30 years. I also realized when watching this that there are things I'm teaching my students that I learned from Tissa.
Tissa rarely had the opportunity to work on projects with large budgets. She was a fantastic draftsman, but she was always conscious of how to get the maximum effect from each drawing. Her animation was forced to be limited in the sense that she was only allowed a limited number of drawings, but her art and acting were so strong that there was no limit to the expressiveness she could communicate.
It's wonderful to have this video available as a record of her thoughts
and work. Not enough animators write autobiographies, but this lengthy
visit with Tissa is the next best thing.
John Canemaker's generosity doesn't stop with this video. May has been a banner month for John, with the release of an updated version of The Art and Flair of Mary Blair and two new books. Magic Color Flair: The World of Mary Blair was created to accompany an exhibit of Blair's work at the Disney Family Museum. The Lost Notebook: Herman Schultheis and the Secrets of Walt Disney's Movie Magic is an annotated version of a manual put together by an early Disney special effects artist. Cartoon Brew has published samples from the book and Jerry Beck has reviewed it at Cartoon Research.
Showing posts with label Tissa David. Show all posts
Showing posts with label Tissa David. Show all posts
Tuesday, May 27, 2014
Wednesday, August 22, 2012
Tissa David R.I.P.
Animator Tissa David has died at the age of 91. Michael Sporn has more at his site. Michael was associated with Tissa professional and personally for more than 35 years.
Tissa drew exquisitely well. Her animation was very sensitive but could also be vigorous and raucous. After working in Europe and coming to the U.S. after the second world war, she worked with Grim Natwick for years. She animated for John Hubley, R.O. Blechman, Richard Williams and Michael Sporn. She animated the whole of Sporn's TV special The Marzipan Pig.
Because she was located in New York, she didn't get to work on projects that had the visibility of features made in California. It's unfortunate that her name isn't associated with the kinds of animation projects that an average person would be familiar with. However, she was unquestionably one of the best animators the field has ever seen.
Tissa's roughs from the 1977 feature Raggedy Ann and Andy.
She was a fixture of the New York industry for over 50 years and her loss is a blow to the animation community and certainly to her friends and co-workers.
Below is John and Faith Hubley's Cockaboody, animated entirely by Tissa.
Tissa drew exquisitely well. Her animation was very sensitive but could also be vigorous and raucous. After working in Europe and coming to the U.S. after the second world war, she worked with Grim Natwick for years. She animated for John Hubley, R.O. Blechman, Richard Williams and Michael Sporn. She animated the whole of Sporn's TV special The Marzipan Pig.
Because she was located in New York, she didn't get to work on projects that had the visibility of features made in California. It's unfortunate that her name isn't associated with the kinds of animation projects that an average person would be familiar with. However, she was unquestionably one of the best animators the field has ever seen.
Tissa's roughs from the 1977 feature Raggedy Ann and Andy.
She was a fixture of the New York industry for over 50 years and her loss is a blow to the animation community and certainly to her friends and co-workers.
Below is John and Faith Hubley's Cockaboody, animated entirely by Tissa.
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